Post one, my blog is up! Let's see how this goes.
Anyways, I don't know how to do images, yet, and I'm too tired right now to place all my links and information, but I'm not too tired for some cheap philosophizing.
Let me analyze DEATH, as a character design. You may know of whom I’m getting at here, Neil Gaiman’s Death character, of the Endless, a fanartist’s favorite. She’s cute, nice, kind, and understanding, and quite charming as a person. I myself have fanarted her a few times, but since a some years back, I started to become more and more disturbed by the character. This is in contrast to the classic Grim Reaper archetype, the tall, undead skeleton in a cloak, carrying a giant badass scythe. And I’m not even talking about the professional, sympathetic Death in Terry Pratchett’s Discworld series, I’m talking about that annoying flying bastard in Castlevania, the Death people feared during plagues and famines. I read somewhere of some of the inspirations that inspired the Endless characters, and one criticism against the Grim Reaper as a character design is that it would make death seem uncomfortable and unpleasant.
Well, death IS very unpleasant, or otherwise life would not exist. The will to live breeds the will to live, and those that embrace death usually end up dying along with their genes and their viewpoint. Or does it? Genetics in society has been usurped by memetics, philosophies and leaned behavior can influence survival in an individual even more than their genes. Thus, being influenced by famous suicides, and seeing the raw dramatic power of suicide in art or in life can make a person more open to the possibility of self destruction.
Of course, this may or may not have anything to do with me hanging by a jacket (after looking for an extension cord), during what might have been the hardest day of my life. Just a few seconds afterwards, I was scared near numb when I realized what almost happened, what I had tried to do.
I guess that’s when I started to find Gaiman’s Death disturbing, that particular event, and a few doses of materialist philosophy. Gaiman’s work is quite suicidalist. Several side characters and his lead character end up dying to escape a life of pain or unfortunate consequences. And of course, Death is there, with some kind words, some cuteness, and a bit of comfort.
Of course, for an atheist (like some… friend I know), death means WORMS, not a tunnel of light, a lake of fire, coming back as a cuddly animal, or giant feast halls. And the fear and avoidance of death is what keeps ourselves and everything else with a brain, from self-destruction. The purpose of life on earth is to stay alive, and if someone finds that depressing and limiting, that’s because they’ve been trained to think that there must be more to life than life itself.
Even when it’s necessary, death is very repulsive, and it should be, even when she has nice makeup on.